To the Rhythm of Silence : Music as a Producer of Psychological Processes

Universidade do Porto
Máster en Psicología Clínica y de la Salud, Facultad de Psicología y ciencias de la Educación en la Universidade do Porto, Portugal.
email: ritamribeiro@live.com.pt

Universidade do Porto
Doctor en Psicología, profesor auxiliar del departamento de Psicología, Facultad de Psicología y Ciencias de la Educación, Universidade do Porto, Portugal.
email: carlosg@fpce.up.pt
Introduction: An extended theoretical review of various fields of knowledge made us conceive the possibility that music could be a privileged device in understanding the development of human psychological structures and a driving force for change.
Purpose: This possibility led us to outline the following objective: To understand how music, as an art, may possess elements that enhance psychological and emotional development.
Method: Thus, a study was designed based on a quantitative methodology, in order to evaluate the impact of musical training on three psychological processes: empathic processing, differentiation ability, and emotion regulation. Three instruments were administered to a sample of 237 subjects: The Interpersonal Reactivity Index, the Emotion Differentiation Repertoire and Ability Assessment Scale, and the Emotion Regulation Questionnaire.
Results: While there were no significant differences between listeners and performers, the study allowed an in-depth understanding of how gender can determine empathic processing and the use of adaptive emotion regulation strategies; academic progression can influence the way of interpreting and acting on the environment.
Conclusion: Commitment to music, no matter how, can be sufficient to promote certain psychological processes.
Barrett, L., Gross, J., Christensen, T., y Benvenuto, M. (2001). Knowing what you're feeling and knowing what to do about it: Mapping the relation between emotion differentiation and emotion regulation. Cognition y Emotion, 15(6), 713-724. doi: 10.1080/02699930143000239
Bialystok, E., y DePape, A. (2009). Musical expertise, bilingualism, and executive functioning. Journal Of Experimental Psychology: Human Perception And Performance, 35(2), 565-574. doi: 10.1037/a0012735
Bigand, E., Vieillard, S., Madurell, F., Marozeau, J., y Dacquet, A. (2005). Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts. Cognition y Emotion, 19(8), 1113-1139. doi: 10.1080/02699930500204250
Blood, A., y Zatorre, R. (2001). Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings Of The National Academy Of Sciences, 98(20), 11818-11823. doi: 10.1073/pnas.191355898
Brembs, B., Ixirenzetti, F. D., Reys, F. D., Baxter, D. A., y Byme, J. H. (2002). Operant reward learning in aplysia: Neuronal correlates and mechanisms. Science, 296(5573), 1706-1709. doi: 10.1126/science.1069434
Bruscia, K. E. (2000) Definindo a musicoterapia. Rio de Janeiro: Ene livros.
Bugos, J., Perlstein, W., McCrae, C., Brophy, T., y Bedenbaugh, P. (2007). Individualized piano instruction enhances executive functioning and working memory in older adults. Aging y Mental Health, 11(4), 464-471. doi: 10.1080/13607860601086504
Carapetyan, A. (1948). Music and Medicine in the Renaissance and in the 17th and 18th Centuries. En: D. M. Schullian e M. Schoen (Ed.). Music and Medicine, (117-157). New York: H. Wolff.
Carstensen, L., Turan, B., Scheibe, S., Ram, N., Ersner-Hershfield, H., Samanez-Larkin, G., Brooks, K. and Nesselroade, J. (2011). Emotional experience improves with age: Evidence based on over 10 years of experience sampling. Psychology and Aging, 26(1), 21-33.
Clark, C., Downey, L., y Warren, J. (2014). Brain disorders and the biological role of music. Social Cognitive And Affective Neuroscience, 10(3). doi: 10.1093/scan/nsu079
Collins, A. (2013). Neuroscience meets music education: Exploring the implications of neural processing models on music education practice. International Journal Of Music Education, 31(2), 217-231. doi: 10.1177/0255761413483081
Corrigall, K., Schellenberg, E., y Misura, N. (2013). Music training, cognition, and personality. Frontiers in psychology, 4. doi: 10.3389/fpsyg.2013.00222
Damásio, A. (2003). Ao encontro de Espinosa. Mem Martins, Portugal: Publicações Europa-América.
Davis, M. H. (1980). A multidimensional approach to individual differences in empathy. JSAS Catalog of Selected Documents in Psychology, 10, 85-103. Disponible en: https://goo.gl/d3yV3g
Davis, M. H. (1983). Measuring individual differences in empathy: Evidence for a multidimensional approach. Journal of Personality and Social Psychology, 44, 113-126.
Decety, J. (2004). The functional architecture of human empathy. Behavioral And Cognitive Neuroscience Reviews, 3(2), 71-100. doi: 10.1177/1534582304267187
Dellacherie, D., Roy, M., Hugueville, L., Peretz, I., y Samson, S. (2011). The effect of musical experience on emotional self-reports and psychophysiological responses to dissonance. Psychophysiology, 48(3), 337-349. doi: 10.1111/j.1469-8986.2010.01075.x
Forgeard, M., Winner, E., Norton, A. and Schlaug, G. (2008). Practicing a Musical Instrument in Childhood is Associated with Enhanced Verbal Ability and Nonverbal Reasoning. PLoS ONE, 3(10), e3566. doi: 10.1371/journal.pone.0003566
Frisch, M., Franko, D., y Herzog, D. (2006). Arts-based therapies in the treatment of eating disorders. Eating Disorders, 14(2), 131-142. doi: 10.1080/10640260500403857
Goodman, N. (1978). Ways of worldmaking. Indianapolis: Hackett Pub. Co.
Gross, J., y John, O. (2003). Individual differences in two emotion regulation processes: Implications for affect, relationships, and well-being. Journal Of Personality And Social Psychology, 85(2), 348-362. doi: 10.1037/0022-3514.85.2.348
Hallam, S. (2010a). Music education: the role of affect. In P. N. Juslin, y J. A. Sloboda (Eds.), Handbook of music and emotion (pp. 791-818). Oxford: Oxford University Press.
Hallam, S. (2010b). The power of music: Its impact on the intellectual, social and personal development of children and young people. International Journal Of Music Education, 28(3), 269-289. doi: 10.1177/0255761410370658
Hamann, S. (2004). Individual differences in emotion processing. Current Opinion In Neurobiology, 14(2), 233-238. doi:10.1016/j.conb.2004.03.010
Hedden, T., y Gabrieli, J. (2004). Insights into the ageing mind: a view from cognitive neuroscience. Nature Reviews Neuroscience, 5(2), 87-96. doi: 10.1038/nrn1323
Henderson, D., y Gladding, S. (1998). The creative arts in counseling: a multicultural perspective. The Arts In Psychotherapy, 25(3), 183-187. doi: 10.1016/s0197-4556(98)00011-2
Howard, G., y Dailey, P. (1979). Response-shift bias: A source of contamination of self-report measures. Journal Of Applied Psychology, 64(2), 144-150. doi: 10.1037//0021-9010.64.2.144
John, O. P., y Gross, J.J. (2007). Individual differences in emotion regulation. In J. Gross (2007). Handbook of emotion regulation. (p. 351-372). New York: Guilford Press.
Juslin, P., y Laukka, P. (2003). Communication of emotions in vocal expression and music performance: Different channels, same code?. Psychological Bulletin, 129(5), 770-814. doi: 10.1037/0033-2909.129.5.770
Juslin, P., y Västfjäll, D. (2008). Emotional responses to music: The need to consider underlying mechanisms. Behavioral And Brain Sciences, 31(05). doi: 10.1017/s0140525x08005293
Juslin, P., Liljeström, S., Västfjäll, D., y Lundqvist, L. (2010). How does music evoke emotions? Exploring the underlying mechanisms. In P. N. Juslin, y J. A. Sloboda (Eds.), Handbook of music and emotion (pp. 605–642). Oxford: Oxford University Press.
Kang, S., y Shaver, P. (2004). Individual differences in emotional complexity: Their psychological implications. Journal of Personality, 72(4), 687-726. doi: 10.1111/j.0022-3506.2004.00277.x
Koelsch, S. (2010). Towards a neural basis of music-evoked emotions. Trends In Cognitive Sciences, 14(3), 131-137. doi: 10.1016/j.tics.2010.01.002
Lima, C., y Castro, S. (2011). Speaking to the trained ear: Musical expertise enhances the recognition of emotions in speech prosody. Emotion, 11(5), 1021-1031. doi: 10.1037/a0024521
Limpo, T., Alves, R., y Castro, S. (2013). Medir a empatia: Adaptação portuguesa do Índice de Reactividade Interpessoal. Laboratório De Psicologia, 8(2). doi: 10.14417/lp.640
Pallant, J. (2011). SPSS Survival Manual: A step by step guide to data analysis using SPSS (4th ed.). Crows Nest NSW: Allen y Unwin.
Pascual-Leone, A., Amedi, A., Fregni, F. and Merabet, L. (2005). The Plastic Human Brain Cortex. Annu. Rev. Neurosci., 28(1), pp.377-401.
Patel, A. (2008). Music, language, and the brain. Oxford: Oxford University Press.
Patel, A. (2011). Why would musical training benefit the neural encoding of speech? The OPERA Hypothesis. Frontiers In Psychology, 2. doi: 10.3389/fpsyg.2011.00142
Piaget, J. (2008). Intellectual Evolution from Adolescence to Adulthood. Human Development, 51(1), 40-47. doi: 10.1159/000112531
Sacks, O. (2007). Musicophilia. New York: Alfred A. Knopf.
Salimpoor, V., Benovoy, M., Larcher, K., Dagher, A., y Zatorre, R. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257-262. doi: 10.1038/nn.2726
Samanez-Larkin, G.R., Carstensen, L.L. (2011) Socioemotional functioning and the aging brain. In J. Decety y J.T. Cacioppo (Eds.) The Oxford Handbook of Social Neuroscience (pp. 507–521). New York: Oxford University Press.
Shifriss, R., Bodner, E., y Palgi, Y. (2014). When you're down and troubled: Views on the regulatory power of music. Psychology Of Music 43(6). doi: 10.1177/0305735614540360
Sprinthall, N. A. (1991). Role-talking programs for high-school student: new methods to promote psychological development. In B. P. Campos, Psychological intervention and human development (pp. 33–38). Porto, Portugal: Instituto de Consulta Psicológica Formação e Desenvolvimento.
Van Goethem, A., y Sloboda, J. (2011). The functions of music for affect regulation. Musicae Scientiae, 15(2), 208-228. doi: 10.1177/1029864911401174
Valquaresma, A., y Coimbra, J. L. (2013). Criatividade e educação: A educação artística como o caminho do futuro? Educação, Sociedade y Culturas, 40, 131-146. Disponible en: https://goo.gl/AJkHHY
Vaz, F., Martins, C. (2009). Diferenciação e Regulação Emocional na Idade Adulta: Tradução e validação de dois instrumentos de avaliação para a população portuguesa. Dissertação de Mestrado. Instituto de Educação e Psicologia: Universidade do Minho.
Vygotsky, L. (1971). The psychology of art. Cambridge, Mass.: M.I.T. Press.
Zahn-Waxler, C., Radke-Yarrow, M., y Brady-Smith, J. (1977). Perspective-taking and prosocial behavior. Developmental Psychology, 13(1), 87-88. doi: 10.1037/0012-1649.13.1.87
Zull, J. (2002). The art of changing the brain. Sterling, Va.: Stylus Pub
As the author of the article, I declare that is an original unpublished work exclusively created by me, that it has not been submitted for simultaneous evaluation by another publication and that there is no impediment of any kind for concession of the rights provided for in this contract.
In this sense, I am committed to await the result of the evaluation by the journal Pensando Psicología before considering its submission to another medium; in case the response by that publication is positive, additionally, I am committed to respond for any action involving claims, plagiarism or any other kind of claim that could be made by third parties.
At the same time, as the author or co-author, I declare that I am completely in agreement with the conditions presented in this work and that I cede all patrimonial rights, in other words, regarding reproduction, public communication, distribution, dissemination, transformation, making it available and all forms of exploitation of the work using any medium or procedure, during the term of the legal protection of the work and in every country in the world, to the Universidad Cooperativa de Colombia Press.